Artistic Photography
for Contemporary Spaces
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Catalog
Barcelona, 1957.
During my youth, being influenced by my grandfather who worked as an optometrist, I already felt attracted to photography. To this hobby I have to add the interest I had in nature and science. The result of this combination was a self-learning experience in macrophotography and the realisation of a documental work that brought me to collaborate in many specific publications. Later I learnt that photography could mean much more to me. It was a language to express feelings, thoughts and moods. Regarding to that, colour seemed also interesting, but it was in the “black and white” style where I found the best possibilities of expression. I expanded my technical knowledge at “Gris Art Barcelona” and I collaborated with many well known professionals.
During my youth, being influenced by my grandfather who worked as an optometrist, I already felt attracted to photography. To this hobby I have to add the interest I had in nature and science. The result of this combination was a self-learning experience in macrophotography and the realisation of a documental work that brought me to collaborate in many specific publications. Later I learnt that photography could mean much more to me. It was a language to express feelings, thoughts and moods. Regarding to that, colour seemed also interesting, but it was in the “black and white” style where I found the best possibilities of expression. I expanded my technical knowledge at “Gris Art Barcelona” and I collaborated with many well known professionals.
The Artist's vision
I intend to try, to be critical about my photographic work just because of my passion, as a hobby and for my own satisfaction but I have to admit it’s also an important reward to see my work valued at festivals, exhibitions and publications.
I have always been interested in the landscape as the subject to photography, especially urban and industrial sights. The metropolitan area of Barcelona offers a space so alive and changing that it has been unavoidable and recurrent for my work. .
Finally, with the digital process, the colour photography has succeeded into widening its expression possibilities. That brings me to experiment and research this specific style. .
Enric Curto
Barcelona, 1957.
During my youth, being influenced by my grandfather who worked as an optometrist, I already felt attracted to photography. To this hobby I have to add the interest I had in nature and science. The result of this combination was a self-learning experience in macrophotography and the realisation of a documental work that brought me to collaborate in many specific publications. Later I learnt that photography could mean much more to me. It was a language to express feelings, thoughts and moods. Regarding to that, colour seemed also interesting, but it was in the “black and white” style where I found the best possibilities of expression. I expanded my technical knowledge at “Gris Art Barcelona” and I collaborated with many well known professionals.
During my youth, being influenced by my grandfather who worked as an optometrist, I already felt attracted to photography. To this hobby I have to add the interest I had in nature and science. The result of this combination was a self-learning experience in macrophotography and the realisation of a documental work that brought me to collaborate in many specific publications. Later I learnt that photography could mean much more to me. It was a language to express feelings, thoughts and moods. Regarding to that, colour seemed also interesting, but it was in the “black and white” style where I found the best possibilities of expression. I expanded my technical knowledge at “Gris Art Barcelona” and I collaborated with many well known professionals.
The Artist's vision
I intend to try, to be critical about my photographic work just because of my passion, as a hobby and for my own satisfaction but I have to admit it’s also an important reward to see my work valued at festivals, exhibitions and publications.
I have always been interested in the landscape as the subject to photography, especially urban and industrial sights. The metropolitan area of Barcelona offers a space so alive and changing that it has been unavoidable and recurrent for my work. .
Finally, with the digital process, the colour photography has succeeded into widening its expression possibilities. That brings me to experiment and research this specific style. .
Enric Curto There are 20 products.
Budapest- Pont de la Liberté
Squared format is the most useful to frame and synthesize the metallic structure of the Pont de la Liberté. The back-light limits its lines and shapes, but leaves enough details to appreciate its structure.
In Stock200,00 €Cars in Budapest
Vision of two cars that propose a promenade to the past of Hungary and the different politic regimes. It’s a face-to-face between communism and capitalism.
In Stock200,00 €Barceloneta- Hotel Vela
The author has been always interested in architectonic photography. In this occasion, he captured the tall lines of the W Hotel in Barceloneta. Reddish sky of the city lights contrasted with the blue illumination of the building. In that moment, reality seemed like a negative of the image that would be normal to see.
In Stock200,00 €Front Marítim Barcelona
Enric Curtó often includes clouds in his compositions. He believes that they give an oneiric character to the rest of elements.
In Stock200,00 €Casa Batlló- Gaudí
We can’t miss Gaudí when photographing the city of Barcelona. He put together nature and architecture. Enric Curtó thought that the chimneys of Casa Batlló were smoking his creativity.
In Stock200,00 €Barcelona- Poblenou
The tree, the graffiti on the wall and the chimney condensed the essence of how the Barcelona quarter of Poblenou is. He sums up here its recent history.
In Stock200,00 €Streetlamps at Paseo de Gracia - Barcelona
To isolate and magnify one of the 32 streetlamps at the Paseo de Gracia built in 1906 by Pere Falqués, Enric Curto opted to do a low-angle leaving only the sky as background. These streetlamps were built in a unique piece of wrought iron, with the characteristic coup de fouet. They were built in the foundry of Manuel Ballarín.
In Stock200,00 €La Pedrera Rooftop - Gaudí
Gaudí, that huge architect, inspired his work in nature. Enric Curto wanted to show this through a dialogue between a cloud and one of the structures of the La Pedrera Rooftop.
In Stock200,00 €Barceloneta Beach
In this photo, Enric Curto wanted to capture the Mediterranean character of the city of Barcelona. Sin, plam trees and beach, which mark a way of being.
In Stock200,00 €Petroleum Bridge at night
This dock was built to disembark oil products. It gives us the testimony of the industrial past of this area. Lonesomeness and night lights reinforce the character of the structure.
In Stock200,00 €Under the Petroleum Bridge
Enric Curto chose this point of view to show the connection of this artificial structure, created by men for an industrial use, to the natural environment of the coast.
In Stock200,00 €Praga
“The bridge of Charles” over the Moldavian river is the most emblematic of many bridges that cross the river. The author woke up really early in the morning and suffered an intense cold to being able to capture this atmosphere.
In Stock200,00 €
